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The Telegraph

To watch it is to be waterboarded by joy. In terms of both visual dazzle and invention and sheer comedic stamina and pep, it handily surpasses the original Trolls from 2016, which itself set an impressive new standard for films based on novelty keyrings and pencil toppers.

Read review Robbie Collin

Yet for all its surface pleasures, it?s a likable but underimagined one, with more enthusiasm than surprise and, at the same time, an overprogrammed sense of its own thematic destiny.

Read review Owen Gleiberman