A Working Man's reviews
Media reviews
Variety
Screenplay credit goes to Ayer and Sylvester Stallone, which makes sense. This is the kind of character Stallone made popular in the 1980s, when critics pushed back on the one-man-army archetype, but box office won out, to the point that people now feel nostalgic for Stallone\'s dumbed-down moral code.
The Guardian
The movie shifts visual tones and textures from scene to scene, sometimes digital-clear and sometimes 2000s-style grainy, which is both novel and more than a little jarring.
La Razón
Fotogramas
The Hollywood Reporter
It all plays out exactly as you\'d expect, with the never-flustered Cade prefacing one brawl with half-a-dozen bad guys by announcing "Let\'s play." In one of the film\'s best fight scenes, he battles two goons in the back of a van with his hands tied. No points for guessing who walks out alive.