Anna's reviews

Media reviews

Los Angeles Times

Noel Murray

70

As a slick, over-the-top action picture, Anna works splendidly. It features multiple jaw-dropping set-pieces, including a restaurant hit where Anna walks in with an unloaded gun and walks out after killing about a dozen thugs. The plot, while fairly predictable, is at least craftily constructed. On its own merits, this is one rollickingly entertaining film, that under ordinary circumstances Besson fans would adore.

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New York Times

Bilge Ebiri

60

Anna isn?t as stylish or gripping as ?Nikita,? but it does have its own demented charm, particularly in how it toys with structure, nesting competing narrative timelines within each other.

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Indiewire

David Ehrlich

50

By the time it?s finally over, the only person more exposed than its star is her director.

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The A.V. Club

Ignatiy Vishnevetsky

42

Think of it as a downmarket Atomic Blonde (a film that does Besson?s established shtick with a lot more panache and less ick) or 'Red Sparrow' without the surface-level professionalism; what?s clear is that Besson doesn?t want anyone to think about Anna very hard.

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Variety

Peter Debruge

40

It?s nowhere near the embarrassment of Brian De Palma?s ?Domino,? or any number of recent studio tentpoles. Nor is it fresh enough to pretend that audiences had missed out on something special if it had been buried altogether ? except perhaps for Luss, who?s bound to get another shot. Read full review

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The Hollywood Reporter

John DeFore

30

The thrill is long gone in Anna, a lifeless and instantly forgettable spy flick whose lead, Sasha Luss, shows zero promise as a movie star.

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Festival Internacional de Cine de Lanzarote

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