Argylle's reviews

"The British, who has been distinguished by turn upside-down the topics of the film noir, falls in his own trap and unfolds a great amount of cliches, the same ones he once laughed aobout on the Kingsman saga".

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"As the film works its way up to a big, showy climax, full of colored smoke and choreography that\'s half-dance, half-fighting, like capoeira in formal dress, it all starts to feel like one of those very expensive, very elaborate commercials for a pseudo-luxury product you don\'t want to buy ? a perfume perhaps, or some car".

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