Fukushima, mon amour: reviews

What the critics say average 6.3 from 6

• 8.0 FotogramasAntonio Trashorras "Significant, but light at the same time, Dörrie's last entrance is magnificent [...]. A filmmaker whose author pillars become perfectly recognizable one more time." Read
• 8.0 VarietyMaggie Lee "Doris Doerrie's two-hander offers a refreshingly quirky perspective on a heavy subject" Read
• 6.0 El PaísJordi Coste it would have been good some role of inner fire, because, in his worst moments, falls into a certain simplifying and tourist attitude before the proverbial oriental wisdom in the acceptance of the loss. Read
• 6.0 El MundoAlberto Bermejo Dörrie counteracts the significance of the situation with generous flashes of good humor, relying on the good chemistry between Rosalie Thomass and Kaori Momoi, in a paradoxically positive, subtly optimistic proposal, in contrast to the desolation of the environment. Read
• 6.0 ABCAntonio Weinrichter The most beautiful part of the function is the process by which these two women finally understand each other, so that in the end that famous phrase of Marguerite Duras taken to the cinema by Alain Resnais, "You have not seen anything in Hiroshima," you cannot Tell neither Marie nor Doris Dörrie herself. Read
• 4.0 El PeriódicoNando Salvà Inspired by 'Hiroshima, Mon Amour', Doris Dörrie ignores the formal fearlessness and narrative experimentation of Alain Resnais's masterpiece Read