Indiana's reviews
Media reviews
ABC
The most interesting thing about the movie is Comas' different sight, almost strategic, in which it's hard to discern if we're watching a documentary or a magnificent invention. The cast, realistic, even criticize Hollywood's excesses when showing this events. The movie altogether places the spectator in the right mental state. It pushes him to believe in the dark side thanks to a brilliant, almost subliminal, suggestion.
El Periódico
'Indiana' is not a Hollywood movie but a very independent production directed by a Spanish filmmaker, Toni Comas, who has been years living in USA. And as in their time Renoir, Lubitsch or Lang had it, he knows how to offer the "foreigner" look over the complex American reality. He watches and films, distinguishing between reality and representation.
Fotogramas
'Indiana' it's more a road movie in the deep, gothic and haunted America than a typical ghosts and frights movie (which, well, it's also that). In its best sequences, which, maybe not curiously, aren't those that strictly belong to the genre, 'Indiana' is a road movie with the texture of the exceptional, weird and, why not, supernatural John Huston's 'Wise bBlood' (1979). Which, among us, isn't wrong by one bit.
El País
'Indiana' is a horror movie without frights or hits, in which two apathetic plumbers of the supernatural, professionals on their own, solve cases in which the monstrous tends to be an emanation of pain, loss or melancholy.