In Syria's reviews

Media reviews

The Hollywood Reporter

Deborah Young

95

Even though all the violence takes place off screen, Van Leeuw pulls no punches showing its effects in close-ups, where the acting expresses the unspeakable horror.

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Time

Ed Potton

89

Ignore the awful punning title; this is a serious and searing piece of work from the Belgian director Philippe Van Leeuw.

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Fotogramas

Pere Vall

87

[...] It is the X-ray of a tense suffering, a walk, with a camera that follows the characters, for love and death, hope and despair. [...] Denounces, without cutting a hair, patriarchy, and paints a society where their citizens are victims of some habits and detestable treatment.

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Cinemanía

Carlos Marañón

85

Buñuel in Syria. Mother courage against exterminating angel. No breathe.

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ABC

Oti Rodríguez Marchante

85

Van Leeuw, gives the shot and camera movement a notarial function that is really overwhelming. [...] The interpretations are [...] more than excellent.

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El Mundo

Luis Martínez

85

The work of the actors, commanded by a huge Hiam Abbass, simply overwhelms.

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El País

Javier Ocaña

85

The director and scriptwriter reflects on the shame of fleeing, leaving behind yours, and the terrible situations in which solidarity and heroism do not fit.

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Le Monde

Thomas Sotinel

80

Philippe Van Leeuw conducts his story with great skill. It is a question of not blowing in front of the horror of the situations without making the show unbearable.

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Screen Daily

Jonathan Romney

78

Long takes and rigorous blocking allow the drama to flow easily from room to room, while a superbly coordinated cast, largely composed of Syrian refugees -children and young adults included- gel magnificently.

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Empire

Phil De Semlyen

75

Van Leeuw isn't afraid to tackle the toughest subjects but cares little for the politics behind the conflict. All that matters is survival.

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Time Out

Dave Calhoun

70

It can sometimes feel like 'Insyriated' is awkwardly carrying the weight of an entire complicated conflict on its shoulders - but its sense of claustrophobia and immediacy can also feel horribly convincing.

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Caimán Cuadernos de Cine

Cristina Aparicio

70

From the fiction, Van Leeuw constructs his story also in the smallest space possible to reach a reality shared by a whole country at war.

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