Let the Sunshine In's reviews
Media reviews
Screen Daily
It's a highly engaging departure for one of France's most adventurous cineastes, and with Binoche on radiant and witty form, it could prove to be one of Denis's more commercial propositions to date.
Variety
Yet 'Let the Sunshine In' is not a pessimistic film, or even an entirely unromantic one. Aided by the warmly shadowed intimacy of Agnes Godard's camerawork, Denis identifies fleeting joys and hormonal highs in the dating chase
Cinemanía
The literary component is really dramatic, but its softy tone and the capacity of identification with the no-senses of love make the audience can comfort their own breakdowns with laughs.
The Guardian
This is grownup film-making, more savoury than sweet, seductive, oblique and carried by a wonderfully smart and emotionally generous performance from Juliette Binoche ? who delivers the material superbly, material which from almost anyone else would sound dyspeptic or absurd.
The Hollywood Reporter
The film slowly but surely works its charms, painting a rich, emotionally complex portrait of a woman who, like Denis herself, will not let herself be boxed in.
Fotogramas
The first comedy of Claire Denis, which was announced as an adaptation of 'A Lover's Discourse: Fragments', by Roland Barthes, is the opposite of we have imagined -an abstraction in the line of 'L'intrus', which followed a Jean-Luc Nancy's text-, but it have been achieved the success.
Indiewire
Binoche, adding another iconic auteur to her peerless list of collaborators, is as radiantly enigmatic as ever in the role of Isabelle.
The Playlist
A loose adaptation of philosopher Roland Barthes' 'A Lover's Discourse: Fragments', 'Let the Sunshine In' puts forth the text's ideas through Binoche's Isabelle, a divorced painter living in Paris who is searching to satisfy her desires, both romantic and sexual.