Luzzu's reviews

Media reviews

Los Angeles Times

Carlos Aguilar

100

Sun-drenched 'Luzzu' is an unaffected triumph with a simmering power, the type of deceivingly familiar film that helps us sail into a place and a lifestyle most of us ignore but that are made vividly compelling in the hand of a new storyteller with classically honed sensibilities.

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Slashfilm

Hoai-Tran Bui

90

It feels like the beginnings of the Greek tragedy that had been telegraphed from the beginning: the Sisyphean image of a man holding back the flood of change with a rickety wooden boat.

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Roger Ebert

Sheila O'Malley

88

Authenticity can't be faked. This seems like an oversimplified or too-obvious statement, perhaps, but a film like 'Luzzu' shows the truth of it [...].

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Cineuropa

Fabien Lemercier

85

Camilleri reveals his talent with a subtle and unfamiliar debut feature film which tells an empathic, realist and informative tale of a young fisherman pushed to his limits.

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La Razón

Carmen L. Lobo

82

It's a tough, excellent feature debut full of verismo, emotion and nostalgia [...].

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New York Times

Natalia Winkelman

80

Malta?s views are arresting, but the images Camilleri chooses would never be found in a travel brochure. In his subtle, vérité approach, he captures something special ? not one man?s crisis, but a community?s culture.

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Fotogramas

Jordi Battle Caminal

80

An elegy like the one that Alexander Mackendrick sang in 'The Maggie' (1954) to a dilapidated barge. At all times, a pleasant neorealist air blows through the four sides of 'Luzzu' [...].

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Screen Daily

Wendy Ide

80

It is compelling enough as both a character study and a persuasive account of a threatened way of life to be of commercial interest.

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Cinemanía

Paula Arantzazu Ruiz

75

Its nihilistic message contrasts with the dazzling blues that overflow the shots, far removed, however, from the idyllic advertising postcard. Camilleri finds beauty in artisanal fishing nets [....].

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Le Monde

Clarisse Fabre

72

Despite its clumsiness, 'Luzzu' touches with its sincerity and its documentary approach.

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