Honeyland's reviews

Media reviews

New York Times

A.O. Scott

100

The opening minutes of Honeyland are as astonishing ? as sublime and strange and full of human and natural beauty ? as anything I?ve ever seen in a movie.

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The Playlist

Gary Garrison

100

It?s a quiet and passive film that?s content to luxuriate in place and revel in solitude, which, in turn, both drags the narrative?s loose pacing and instills a certain natural structure that, once embraced, becomes almost mesmerizing.

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Variety

Guy Lodge

90

The opening frames of Honeyland are so rustically sumptuous that you wonder, for a second, if they?ve somehow been art-directed.

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The Hollywood Reporter

Sheri Linden

80

As with any vérité portrait, there are many things that go unexplained. But the images tell us what we need to know: The unforced choreography between Hatidze and the bees.

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The Washington Post

Michael O'Sullivan

75

The film by Tamara Kotevska and Ljubomir Stefanov is a strange and curious thing: part fly-on-the-wall anthropology, part ecological fable.

Vanity Fair

K. Austin Collins

75

Honeyland is thankfully too interested in the particulars of Hatidze to reduce her to demographic trivia. What matters, the movie tells us, isn?t that she?s exceptional in the trivial sense, but that?s she?s exceptional in who she is.

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Screen Daily

Stephen Whitty

60

The result is a careful chronicle that, while staying true to its observational ethos, nonetheless, leaves plenty of questions.

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