Las niñas bien

2018
4.5
Las niñas bien
Poster Las niñas bien

Title: Las niñas bien

Original Title: Las niñas bien

Year: 2018

Info

Plot

The new film by director Alejandra Márquez Abella after 'Semana Santa' (2015) is 'Las chicas bien' (2018). The film has a script written by the same director Alejandra Márquez Abella and Monika Revilla (screenwriter of 'La Casa de las Flores'), and is based on Guadalupe Loaeza's super sales novel of the same title. The film tells the events that take place in the middle of high-standing homes, Grand Marquis cars and the music of the famous singer Julio Iglesias. Yuri and Menudo, Sofia (Ilse Salas, actress of 'Cantinflas', 'Güeros' ...) and a group of women live the evolution of classism, good customs and economic crises that take place in Mexico during the beginning of the In the eighties, in the government of José López Portillo, the president who ran the country between 1976 and 1982. From an original and intimate point of view, with a nice original soundtrack, the film was awarded at the Malaga Festival with the prize for best Latin American film, best script and best editing. At the Ariel Awards she won the best actress award for Ilse Salas. The film has mostly received very favorable reviews in all countries that hailed the conceptual and artistic work of the film, surprisingly capturing the spirit of the 80s, in a very symbolic and atmospheric way.

Cast

Videos

'Las niñas bien' Trailer #3 2:01

Photos

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Trivia

Prizes and nominations

'The Good Girls' from Alejandra Márquez Abella has won three prizes: Best Actress for Ilse Salas at Havana Film Festival; Best Film at Miami Film Festival and the prize Director to Watch from Palm Springs International Festival. The film also has seven nominations in different Festivals.

Cinema studies at Barcelona

The director was born and raised at Mexico but she moved to Spain to study at Centre d'Estudis Cinematographics de Catalunya in Barcelona.

Favorable reviews

The film has mostly received very favorable reviews in all countries that hailed the conceptual and artistic work of the film, surprisingly capturing the spirit of the 80s, in a very symbolic and atmospheric way.

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