2.7
Miss Brackets, the Baby-sitter, the Bastard Grandson Ans Emma Suarez's reviews
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Caimán Cuadernos de Cine
50
In his fifth feature, Sergio Candel returns to his peculiar poetry of the estrangement to display everything upside down, from a circular structure that seems to close in on itself but in reality has left countless escape routes during the session. And precisely this violation of the convention also serves to convert the classic codes in a story whose raison d'etre -nice paradox lies more in the holes in the connecting links in the gaps in the highlights.
Festival Internacional de Cine de Lanzarote
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