Eye for an eye's reviews
Media reviews
Fotogramas
The best: the silences of that Mario that Luis Tosar endows with unthinkable nuances. The worst: to think of her as a Fariña in cinema.
El Mundo
An addictive film that turns the masterful staging into an enlightened and rigorous rite in which everything is in sight.
Cinemanía
Great movie (...) Work of close-up and medium flat serene cushions. (...) A punch in the stomach that leaves you breathless.
El País
'Quien a hierro mata' sounds on demand, moves away from the world to which its director has accustomed us.
El Periódico
"[Plaza] tries to develop on a different terrain and release ties with his stylistic past (...). The staged work he has shown is based on a more reflective dramatic journey.
ABC
The result is tremendous, relentless, proud of its blackness and its control of clichés, with a narrative and a photograph that shows the liquids fermented by its corners.