The Rhythm Section's reviews

Media reviews

The Guardian

Peter Bradshaw

60

It is meant to be seen on a million long-haul flights, but it works perfectly well as a thriller

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Empire

James Dyer

60

Twenty years ago, this could have happened through decent commercial cinema; but, in 2020, it seems too simplistic and it is his lack of sophistication that definitely causes him to lose his rhythm

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Variety

Peter Debruge

60

The plot of this female thriller of revenge may be a cliché, but Blake Lively manages to sell it, playing an action hero who fights like a real person: bad

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Screen Daily

Fionnuala Halligan

40

A disconcerting hybrid between 'Nikita' and 'The Girl With The Dragon Tattoo' ... as long as these deadly murderers were infuriatingly inept and in constant need of being rescued by their male mentors

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The Wrap

William Bibbiani

40

Take a very popular genre material and take away all the substance and naivety, leaving only an underdeveloped plot, an empty character and a totally undeserved sense of seriousness

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The Hollywood Reporter

Frank Scheck

35

Blake Lively wears so many wigs that the fights begin to remind a sketch of the Carol Burnett show. It is one of the many involuntarily comic aspects of the movie

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Chicago Sun-Times

Richard Roeper

30

Just when it has apparently reached the limits of stupidity, a romance blooms suddenly and meaninglessly, even within the totally absurd world of history

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New York Post

Reed Tucker

30

His name is Bond. Jane Bond (...) the result comes with the full power of a mixed martini, but not agitated, but without alcohol

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