Loro's reviews
Media reviews
The Wrap
?Loro? is the definitive Paolo Sorrentino film to date. It?s brash, stylish, and silly. It oscillates back and forth between horny and human, profound and misguided. It?s a glorious mess
Cinemanía
It is an emotional portrait of the man behind the mask of power. An attempt to fine-tune the broad brush with which it is usually defined [...] A shrill film, full of parties, of velinas, of course, of pachangueo music (you will hear even the Aserejé), 100% Sorrentino [...] Toni Servillo, of course, is immense.
Roger Ebert
In many ways, it is his ?Wolf of Wall Street,? a vision of the modern fall of the Roman Empire with scene after scene of carefully-choreographed drug and sex parties [...] There are enough fantastic sequences in ?Loro,? and another great performance from Servillo, but this is a slight disappointment given what we?ve come to expect from Sorrentino.
The Hollywood Reporter
A richly inventive, ferocious feast of satire and vulgarity [...] It must be said that the new cut brings out both the best and worst of the film (divided in two parts) [...] It?s the dark side of Fellini, one might say, the director?s usual source of inspiration.
The Playlist
Poorly structured, half-baked, and unrealized, writer/director Paolo Sorrentino?s ?Loro? is the worst kind of movie not because it is bad, but because it squanders immeasurable potential
Festival Internacional de Cine de Lanzarote