Miss Impossible's reviews
Media reviews
El País
Aurora, the protagonist, is not here to make friends, but to show herself as she is. That some viewers and critics of this film feel the impulse to manifest how bad the character falls, it only means one thing: that director, writer and actress are doing things right. With some truth.
El Periódico
We discover in a natural as well as revealing way the chiaroscuro of an age in which rebellion imposes itself as a form of entrenchment before all the problems and fears.
Cinemanía
The film almost completely escapes the naïve and sweetened vision with which the cinema tends to simplify the so-called turkey age
ABC
French cinema is rich in beautiful films about education, but Emilie Deleuze fails to place this acceptable title in academic excellence that inaugurated 'Les 400 coups' by Truffaut
Le Monde
Filmed with vivacity, a bit of humor and a lot of empathy, Aurore does not raise exasperation from the exaggeration and the young Léna Magnien, who plays the role, manages to be at least as unbearable as its model in the book, without falling into the caricature .
Festival Internacional de Cine de Lanzarote