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The subtlety of [Tatiana Huezo?s] approach interlaces ideas, resonances and emotions in ever-shifting, eternally edifying ways. And it ultimately promotes the film from human interest journalism to a grand work of socio-political critique and a quietly radical remodeling of familiar documentary formats.
New York Times
"It?s an artful and lyrical assembly".
Roger Ebert
"The visuals here are interesting because Adela is a circus clown and we get see a lot of the colorful life around her performances".
The Hollywood Reporter
"The film has two powerful, loosely connected stories to tell but not a unifying vision that could package the often-potent material for maximum impact".
Variety
"Mexican-Salvadorean helmer Tatiana Huezo superimposes her subjects? recollections over lyrical images that complement the emotions conveyed by their voices".
Festival Internacional de Cine de Lanzarote