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The New Yorker
-1
Its oddity, evident in the barest descriptions, is so extreme as to threaten to overshadow its distinctive artistry and ferocious substance.
New York Times
-1
Dumont\'s screenplay stirs simplistic notions of good and evil into a plot that goes nowhere except — literally — down its own black hole.
Variety
-1
Van der Weyden and Carpentier are cruelly underused here, muscled out by a lot of mythmaking mumbo-jumbo that doesn\'t do anything substantial with all the opposing forces that Dumont\'s scrappy screenplay references.
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