Us's reviews
Media reviews
The Hollywood Reporter
Clearly the work of an ambitious writer/director who can see himself inheriting the mantle of Rod Serling (...) it offers twists and ironies and false endings galore - along with more laughs than the comedian-turned-auteur dared to include in his debut film.
Cinemanía
Hell are the others: when the abyss of inequality returns the look, Jordan Peele keeps giving terror cinema to the books of ethics.
El Periódico
It has the impact of the alienation story of 'Invasion of the Body Snatchers' filtered by a postmodern look in which Peele underline humor in the most tense situations.
Variety
The less you know going in - and the less energy you spend thinking about it after the fact - the better the movie works, trading on some uncanny combination of Peele?s imagination and our own to suggest a horror infinitely larger and more insidious than the film is capable of representing.
Time
With the ambitious home-invasion horror chiller 'Us', Peele goes even deeper into the conflicted territory of class and race and privilege; he also ponders the traits that make us most human. But this time, he?s got so many ideas he can barely corral them, let alone connect them.
ABC
Peele revalidates the talent pointed (...) he dominates the mechanics of the genre and shows it in the superb initial sequence and in the subsequent development (...) it reminds me rather the sumptuous and plastic cinema of Brian de Palma.
El Mundo
The best: Jordan Peele manages to take all the frightening potencial of scary faces. The worst: The excess at lifting the terror of siege of a medium family to another dimension.
Clarin
'Us' also has a second lecture -the one of inequality, contempt for others and lack of opportunities-, but Peele underline it too hard, and not to mention the shot with which the film closes.