Collision Course: reviews

What the critics say average 6.4 from 6

• 8.3 HobbyConsolasRaquel Hernández Luján An ingenious, well-built and hugely entertaining thriller that doles out its information skilfully to hold your interest, and never loses sight of a ferocious critique of the banks.
• 7.0 EspinofMikel Zorrilla Sánchez Arévalo offers a very stimulating game that keeps the film full of surprises and entertaining at every moment, even when the script starts to lean too hard on its reversals. Read
• 7.0 El CulturalMaría Cantó An atypical film for Arévalo, but one he comes out of well: it is entertaining and has more wit than 90% of the run-of-the-mill thrillers in any platform's catalogue. Read
• 6.0 CinemaníaEnid Román Almansa Once you grasp the film's true nature, it becomes a creative exercise that its director, Daniel Sánchez Arévalo, has carried perfectly to the screen, making it a thriller that disconcerts (in the good sense), hooks you and entertains. Read
• 6.0 El PaísJavier Ocaña None of that is easy to pull together, and Sánchez Arévalo (with an energetic mise-en-scène that reveals him as an eclectic director) steers his narrative contraption with ease right up to, admittedly, an unconvincing ending in which neither its aims nor the story itself quite come together. Read
• 4.0 Diario de SevillaManuel J. Lombardo Faithful to the workings of the subgenre and the templates of product for global platforms, Sánchez Arévalo dresses up as an austere Calparsoro and does what is required. Read