Nous finirons ensemble's reviews
Media reviews
Fotogramas
With the complicity of everyone involved and a much more sharp script, for moments even bitter, but without letting go of some moments of pure comedy.
Cinemanía
In general, more film substance is missed and a little more emotion, but it goes beyond with deepness. It is a film of emotional comings and goings, of disappointments, of silences and relapses.
ABC
Canet's virtue, now and then, is to dilute in such a natural way the drama in his story in a sort of soft comedy that, with ordinary situations and better build and acted dialogues than usual, discovers the changes, disagreements and grudges that time has been putting between the group of friends.
El Periódico
It again shows how specially qualified to portrait the group, even though he knows how to give each character its space, unveiling its internal miseries.
La Razón
The film knows how to dramatize what, deep down, is a very current tragedy, and get the audience to have a good time with this middle class group and their well thought miseries.
El País
Way over the top when it comes to its running time, specially regarding what is being told, the film never finds a right tone or develops coherently.
Variety
A jabbering and ingratiating followup filled with narrative dead ends, unexplored themes and late-inning plot contrivances.
The Hollywood Reporter
For all its problems - especially an overstuffed second half that prefers plot twists to character development and emotion - this is the rare sequel that works just as well as a stand-alone item.